The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. Suddenly the vision of old Chelsea Church rose up before her with its little motherly old pew-opener. She had so often been meaning to go and see her again, but something had always interfered. She hunted through her drawers and found a comparatively sober-coloured shawl, and tucked it under her cloak. The service was just commencing when she reached the church. Mary Stopperton showed her into a seat and evidently remembered her. “I want to see you afterwards,” she whispered; and Mary Stopperton had smiled and nodded. The service, with its need for being continually upon the move, bored her; she was not in the mood for it. And the sermon, preached by a young curate who had not yet got over his Oxford drawl, was uninteresting. She had half hoped that the wheezy old clergyman, who had preached about Calvary on the evening she had first visited the church, would be there again. She wondered what had become of him, and if it were really a fact that she had known him when she was a child, or only her fancy. It was strange how vividly her memory of him seemed to pervade the little church. She had the feeling he was watching her from the shadows. She waited for Mary in the vestibule, and gave her the shawl, making her swear on the big key of the church door that she would wear it herself and not give it away. The little old pew-opener’s pink and white face flushed with delight as she took it, and the thin, work-worn hands fingered it admiringly. “But I may lend it?” she pleaded.!

“It isn’t as terrible as you think,” she said. “Many men who have risen and taken a high place in the world were married to kind, good women unable to share their greatness. There was Shakespeare, you know, who married Anne Hathaway and had a clever daughter. She was just a nice, homely body a few years older than himself. And he seems to have been very fond of her; and was always running down to Stratford to be with her.” “I wanted to be a coward,” he said, “to keep out of the fight. I thought of the shame, of the petty persecutions—that even you might despise me. But I couldn’t. I was always seeing His face before me with His beautiful tender eyes, and the blood drops on His brow. It is He alone can save the world. It is perishing for want of love; and by a little suffering I might be able to help Him. And then one night—I suppose it was a piece of driftwood—there rose up out of the sea a little cross that seemed to call to me to stretch out my hand and grasp it, and gird it to my side.”

Mrs. Denton was a short, grey-haired lady. Her large strong features must have made her, when she was young, a hard-looking woman; but time and sorrow had strangely softened them; while about the corners of the thin firm mouth lurked a suggestion of humour that possibly had not always been there. Joan, waiting to be introduced, towered head and shoulders above her; yet when she took the small proffered hand and felt those steely blue eyes surveying her, she had the sensation of being quite insignificant. Mrs. Denton seemed to be reading her, and then still retaining Joan’s hand she turned to Madge with a smile. “It’s you women that make war,” he continued. “Oh, I don’t mean that you do it on purpose, but it’s in your blood. It comes from the days when to live it was needful to kill. When a man who was swift and strong to kill was the only thing that could save a woman and her brood. Every other man that crept towards them through the grass was an enemy, and her only hope was that her man might kill him, while she watched and waited. And later came the tribe; and instead of the one man creeping through the grass, the everlasting warfare was against all other tribes. So you loved only the men ever ready and willing to fight, lest you and your children should be carried into slavery: then it was the only way. You brought up your boys to be fighters. You told them stories of their gallant sires. You sang to them the songs of battle: the glory of killing and of conquering. You have never unlearnt the lesson. Man has learnt comradeship—would have travelled further but for you. But woman is still primitive. She would still have her man the hater and the killer. To the woman the world has never changed.” “How did you come across them?” she asked. “The articles, I mean. Did Flo give them to you?”